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Blogging about my adventures in woodworking. Yes, you will read it.

My World-Class Mentor

Bill Keyser

Bill Keyser

I’m pretty involved in my church; in addition to going to Mass every week, I’m also the website guy,and a player in the church’s play group. I’ve made a lot of good friends, from many disciplines of work. One of those people is Bill Keyser, who I like to consider my mentor. He’s a world class woodworker; he studied directly under the famous danish woodworking professor, Tage Frid, a major player in the studio furniture movement, at RIT’s School for American Craftsman. Bill has also had his story recorded at the Archives of American Art at the Smithsonian Institution. He’s also been in Fine Woodworking magazine. He is known in the Rochester, NY area for his liturgical work, and his abstract art work – both in wood and painting.

In other words, a hell of a resume!

I was over at his studio in Victor, NY last night. I asked him to show me how to properly do a 4 sided taper on a short column for a candlestick. I tried several times to do it on my own, and couldn’t make it happen, despite researching it on the ‘net. It’s not as easy as you might think! Bill of course, made it happen quickly, using two jigs. It was quite the shop he has too – mostly older power tools, like a Delta Bandsaw that seriously had like a 14″ cutting depth, and probably 12″ resaw capability; a Delta cabinet saw which had a router table extension on it, and then a shaper added on to that as well. Plenty of clamps and carving tools adorned the walls. Lots of projects simultaneously happening.

I was then graciously invited into his home by his wife Joan, a very nice lady, who specializes in – for lack of a better term – food staging. She’s the lady that makes food look so good in ads so cameramen can photograph it. She told me a few of the tricks of her trade – like making something like a hamburger look juicy – it’s coated with vegetable oil. Their home is a contemporary style, and adorned with Bill’s sculptural work, and practical work as well. We had a few refreshments, and great conversation, then I made sure not to make a pest out of myself, and left in due time. Very nice people to chat with.

I hope I can learn some more from Bill in the future; I don’t want to be a pest of course, but perhaps I can pop in from time to time, and have him show me some other interesting techniques from the hands of a master.

 
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Posted by on February 13, 2013 in BlogNotes

 

Doing with Wood What God Does with People

I believe in God; if you don’t, keep reading anyway. I didn’t believe either at one time.

Not only do I believe, but I’ve considered what He does with what we would otherwise consider bad or unusable things, and uses them to His greater Glory. The greatest of all, is of course, what happened with Jesus. Here God took the worst thing man could do to God – killing him – and turned it into the greatest thing God could do for man – saving and redeeming him. Then we have examples of figures in the Bible of less-than-perfect people being used to do great things – such as Moses and King David, for example. God is quite a turn-around artist!

Yes, but how does this all tie into woodworking?

Many woodworkers look for the best woods – the most desirable figure, pleasing grain patterns, color, no defects (such as knots) and so on. You can’t blame them; it makes for a much smoother project completion.

Then you have guys that want to take what others wouldn’t even consider using for something beautiful and useful, and turning it into something that is just that. The table at left was built from …a single 2 x 4. You know, the things normally used in carpentry work, such as making walls? They cost about $2.50 at Home Depot. They are usually knotty pine, but also Spruce fir as well. Many are far from pristine – knots, twisted, bowed; small chunks missing and pretty ugly. Few are straight and true. They are to the woodworking world what Doritoes are to a chef.

But this fellow  took on the challenge, and had a dream to do it. To get those gentle curves, woodworkers steam the wood to make it pliable to fit around a form, and secure it there until it cools. Softwoods, like pine, are a real bear to bend, and he makes an accounting of almost giving up it was so difficult. Hardwoods like oak, not so bad.

And look what happened. He took an otherwise run-of-the-mill piece of lumber – something that otherwise would have probably ended up in a wall, and made it into something beautiful and useful. Well, that’s what God does a lot of the time too, takes situations and people that we would consider hopeless, useless and senseless, and turns it into something useful, helpful, even healing. In fact woodworking, on any level, is much like what God does, because by definition, we are taking something raw, and making into something beautiful and useful (usually), or at least utilitarian.

Thinking about it, it’s kind of interesting how the Bible tells us that Jesus was a carpenter. In His day, he not only took wood and transformed it into something great, but men’s hearts as well.

And that makes Him the true master craftsman.

 

 
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Posted by on January 8, 2013 in BlogNotes

 

Am I a Woodworking Snob?

I get quite a bit of my work from a certain website. Basically, buyers looking to have someone build them a project. Kinda like Match.com for woodworkers and clients. It works pretty well. They have a job board you can search through for these jobs, and then contact the posting party. Some things are beyond my scope – such a 30′ dining table with 16 chairs, but then again, some things are right up my alley, like cabinetry or smaller furniture.

Then there is some stuff is just awful, and I wouldn’t do it even if I could – because it’s a god-awful looking project that I wouldn’t even call furniture, let alone be something I could say I’m proud to have build (and surely not to have in my portfolio). Here’s the piece I’m referencing:

My god, what exactly is that?! In the description, it says “Simple Coffee Table” and “something for newspapers and magazines”.

How about something for the fireplace?

I don’t know who should be shot first – the guy that made this, or the guy wanting to have someone build something just like it.

I would never build this. Yes, call me snooty, if you must. But I would never have my professional name associated with this….thing.

The interesting part is, that with that amount of wood – albeit knotty pine, the box wine of the wood world – you could make a half-way decent coffee table. In fact, you can even make a decent piece of furniture out of one 2 x 4 ! You can read all about this project here, at LumberJocks.

More and more, I’m finding that woodworking is a lot like many other pursuits, such as playing a musical instrument, in that many people can do the basic stuff – such as read a plan and put a project together ( or in the case of music, read music and play the piano), but very few can actually create well – that is, create something new and nice, and do it very well. Everybody remembers the Beatles, but no one knows the “tribute” bands. And like this single 2×4 project, people can remember what this man did with just a single piece of lumber, while we forget the millions of pieces of 2x4s out there holding up walls and floors.

 
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Posted by on January 7, 2013 in BlogNotes

 

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Sanding: A New Era?

Sanding is such a pain. The dust, the amount of time, the different grits; the swirl marks, the inaccessible spaces, contoured surfaces, etc! I hate doing it – it seems to take forever, not to mention having to look for swirl marks, watching out you don’t create a divot by sanding in one spot too long, or having to change paper every 3.2 seconds.

The thing is, it’s so critical to have a smooth, scratch-free surface for your finish. You can have a great project – wonderful design, tight joints, beautiful wood, and so on, but if you don’t prep that wood correctly, you’re finish will just make it look awful. I think for a lot of woodworkers, finishing – and that includes sanding – is the weaker part of our skill set.

Complicating things, how far do you sand to? I’ve heard guys say that just using a card (or cabinet) scraper is enough, or that 180 is fine, while some take it up to 400 – or beyond. Then you have the issue of some woods taking stain worse than others – blotching cherry comes to mind; and don’t forget end grain staining darker than surface grain!

I’m starting to make a few bucks at woodworking, after putting in my due, and of course, time is money. Sanding just takes way too long. A necessary evil? A cost of doing business?

Maybe not anymore.

No, i’m not talking about getting one of those multi-thousand dollar drum sanding machines – though they are kinda nice, if you have the room, thousands of dollars, a 220V outlet, and a industrial dust extraction system. And don’t forget, you have to change the belt grits manually. Ugh.

Hopefully, I’m about to change all that. I need to. Not only would I benefit from this new way of sanding, but you would too. 

I’m developing a system to cut down the amount of sanding time – by about 75% – and improve the results to boot. Not only brainstorming, but I’ve actually tested this system. This system is hand sanding – old school – and not some new expensive machine; don’t cringe. I was able to gauge how much faster my system is by taking a piece of lumber and after planing and thickness planing it, scribbling over it with a pencil (as you would before thickness planning it to see if you flattened it correctly), and then seeing how long it would take to “erase” those marks. In my estimation, this is a great way to gauge if you’ve sanded enough, and if you’ve sanded the board (pretty much) completely. I used the random-orbit sander as you should, flat to the surface, and not just one edge. I then used my hand sanding system with the same grit – 80, and it was amazingly faster. Not only that, but since I went with the grain in my hand sanding method, there was no swirl marks.

Other benefits of my system, in addition to the amazing speed, simplicity, and superior results, is that the sandpaper lasts substantially longer than the random-orbit sanding disks you bought at Home Depot. No noise, no expensive tool to buy; just quick sanding with great results. What’s not to love?

I’ll keep you posted on the progress.

 
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Posted by on January 3, 2013 in BlogNotes

 

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Measurements: Always the Master?

Measuring woodOkay, we all know as woodworkers that measuring is part and parcel of our trade; we have to measure lumber in order to get things to fit. But is measuring a severe master that must be always obeyed?

Obviously, some measurements must be strict; a door has to fit into a cabinet, for example, and has an 1/8″ gap – that you have to measure carefully.

But how about when you screw up? Maybe that top of a table that your plans called for was to be 1″ thick. You plane the pieces down to…OOPS! 15/16″! I know that I (and I’m sure, some of you guys) would go mental and toss that wood aside and starts on new pieces, because, dang it, that’s what the plans called for! Besides that, the length of the boards were supposed to be 6′, and you screwed that up too, and cut them to 5′ 11 1/2″ ! Obviously, you need to pay more attention to your measuring. But my point is, does it matter? I’ve come to the conclusion, that in many cases, no, it doesn’t. Nobody is going to notice that your table is a freakin’ 1/16″ thinner than it should be – unless you have some psycho customer who will go over your piece with a fine tooth comb. That’s up to you to find out.

As for me, I’ve learned that measurements aren’t always king – that aesthetics and function are; obviously, a door has to be perfectly rectangular, or one side the top of a clock the same as the other, but you don’t have to sweat small, almost imperceptible measurements. Sweat tight joints, if you want to sweat something – but not a table top being 1/16″ less than plans called for. Don’t get me wrong – you always want to follow plans as precisely as possible, because what you think a mis-measurement of 1/16″ won’t matter, sometimes, down the road in the construction of the project, it will – and then you’ll have to get really creative; but many times a little screw up is not such a big deal.

 

 
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Posted by on December 10, 2012 in BlogNotes

 

CustomMade.com

About a year and a half ago, I entertained the idea of joining custommade.com, a website in which craftspeople like myself are connected to prospective customers looking for custom made crafted products; not just objects of wood, but metal work, apparel, glasswork, and more. Not only do craftspeople submit their items for sale – a portfolio – but there is a jobs board in which potential clients submit “want ads” that craftspeople can bid on. In theory, it was a great way to bring these two parties together (where else would you go if you wanted a custom pet bed or stained glass window?).

Problem was, from my perspective, that they wanted in excess of $500 to buy an account. That was a lot of money for essentially a cooperative website, so I didn’t buy into it. I don’t recall if they also wanted a percentage of your sales. So, I begged off.

It’s tough selling woodworking online. Problem is, people want a great table, but refuse to spend (for instance) $2,000 for it, when they can but one at Ashley furniture for $600 – and hey, it looks great! Never mind the finish will wipe off in about 2 weeks, and the legs will start getting wobbly just in time for dinner. Another disadvantage is that people can’t see the piece in person – they can’t feel how solid it is, touch the smooth finish, admire the beauty of the wood, from a small picture on their computer. You also have the problem of search engine results – if you aren’t on the first page (if not the top three results) on Google, you might as well not bother; people aren’t going to find you. So not only do you have to be an expert at mortise and tenon joints, but in search engine placement; and then, hopefully you will be considered for the job (if you have a great looking website, by the way). I won’t sugar coat it – I wasn’t doing squat for sales – and I was trying very hard. I designed web sites, briefly, so I can put together a decent presentation.

Obviously, people have to know you exist for them to buy from you. You can pay for advertising in an appropriate magazine – figure about $500 an issue – or trying putting up your own website, paying someone to do that and experimenting with pay-per-click ads on Google – which never worked for me either. Look, we are woodworkers, not marketing geniuses; we just want to sell our stuff. We don’t have thousands to throw at websites, search engine optimization, hosting fees, advertisements and so on. What’s a good solution for us?

Turns out, it IS CustomMade.com. I revisited them a few months ago – I was always interested in their model – and discovered that they have changed their pricing structure; they only charge one dollar a year now, and take 10% of your sales – a fair amount. The website is also vastly improved (expect for their confusing messaging system between client and maker), and they obviously have interest from prospective clients, as evidenced by the over 1,000 job requests on their client board. So, I bit the bullet and joined. You’re on my website, and I’m sure you’ve seen I sell off of here (as well as Etsy), but having another venue is not a bad idea. Turns out, it was a great idea. I’ve gotten more business there than I ever have anywhere else – and I’ve only been on about 3 months. I wished I’d had joined a year ago (or whenever they changed to this new model). Also, you can dictate terms for payment – typically, that’s 50% up front, 50% on delivery, but that can modified to suit your arrangement.

So let me give you some tips on CustomMade. First, you need to be pretty darn good as a woodworker (or jeweler, stained glass artist, etc), because the guys already on there are VERY good, and you’ll have competition. If you have pictures of your work, they have to be very good – not some crap of a clock against a wrinkled laundry sheet, or such ( I should put up a blog post about how to take good photos). You should have at least 10 items in your portfolio, and your profile filled out. Your profile photo can be your logo, a decent head shot of you, or of your in your shop – but nobody really cares what your shop looks like, honestly. You IN the shop? That’s better. When you go looking for a job posted by a potential client, don’t just reply, “Yes, I’ll do that for $500” Make it a pitch, sell yourself. If possible, show them a concept drawing, either freehand, in Sketchup, or an image from the Internet. The tenor of your pitch should be “business friendly” – that is, businesslike, but not a rigid robot. Instead of “I can do that sewing cabinet – $500”, say something like “Hi Jane, that’s a very interesting project you’re looking to have done. I did something similar with my medicine cabinet – which you can see in my portfolio. I took the opportunity to re-sketch that project to hopefully fit into your vision for this project – hope to hear from you.” Something like that. People want to be wooed a little bit here.

Let me stress too, that you need to exceed expectations for customers, not just meet them. I’m not saying put gold leaf on the project, but things like keeping the customer up to date with pictures and messages (which increases excitement), shipping it earlier than expected, packing the piece professionally, including a nice little thank you note inside the cabinet, things like this. Give them what the big-box stores won’t. If you wow your customers, they are going to come back, and they are going to tell their friends about you, and that’s exactly what you need to depend on for future sales.

So that’s been my experience; I haven’t had much success with Etsy, my own website, or even advertising; but I have had great experience with CustomMade, and I would recommend them.

 
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Posted by on November 27, 2012 in BlogNotes

 

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Do What You Love; The Money Will Follow.

I’ve had a lot of bad jobs in my life; whether that’s a low-paying position, bad work, or a combination of both. Digging ditches? Done it. Washing dishes? That too. Muffler repair, McDonalds, grave shift at a cheese factory, photo-lab manager, computer repair – check, check and re-check. Some jobs involved working with real jerks; others were back-breaking; some paid squat. Most were a combination of all those. Some were boring beyond belief; others frantic. One thing I learned: nothing makes you as miserable (save an awful spouse) as a job you have to go to every day that you hate.

I left the traditional working world about 11 years ago because my job was being moved out of state, and my daughter was just being born, so we made the decision for me to stay at home, and nurse along my woodworking career. No, it wasn’t easy, though it sounds like it might be. There were emotional issues to deal with I won’t share here. Nonetheless, I did it, and we plodded along. Now my woodworking skills are becoming increasingly in demand – I’m busy all the time. My work is my passion, and not a lot of people can’t say that about their work. I can work all kinds of crazy hours – or not, and you can’t beat the commute.

If you do very well at your job, people will see you out, and pay you well, especially in this line of work. It’s very gratifying to have people be very pleased with your work – as opposed to slaving away in a cubicle and rarely getting even a “Great job” comment. I personally delivered a set of nesting tables to a customer a few days ago (my Mission Nesting Tables), and received some great comments; moments later he was mentioning he would be wanting six chairs for a dining room table! How great is that?

Things are moving in my direction; I guess there is something to that maxim, “Do what you love, the money will follow” 🙂

 
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Posted by on November 26, 2012 in BlogNotes

 

My Advantage Over Retail

It’s hard to find an advantage over mass retailers of furniture; after all, they have floor space, traffic, advertising budgets and sales people. Me? I’m just me, with a website, and venues like CustomMade.com. If anything, I’m severely disadvantaged – or am I?

Actually, I have some advantages over mass retailers.

• Made to order: Perhaps my biggest advantage. When a consumer walks into a store, they look around for something that appeals to them. Many times, they won’t find that. With wooden furniture, that may be the wrong color, wrong height, wrong wood, and so on. I can usually accommodate any requested changes. With the big-box places, they may be able to change a color or wood, but never a mechanical change like an extra drawer – or no drawer. What I’ve also discovered is a distinct emotional advantage – the desire to love what I make for them. When a customer places an order, I often hear comments like “I’m so excited to see it!”, or once they get it, “I really love it!”. When a customer from a big-box store gets a piece home, it’s usually a pretty bland emotional response. Think about it – how excited were you to have purchased a piece from a store that is turned out by the thousands (if not hundreds of thousands), and someone else can have too? A distinct advantage I have is the customer wants to love what I make for them. They will even overlook issues to do that. And it makes sense; what would be more thrilling to you – something you bought off the shelf, or something someone handmade just for you?

• Relationship. I can establish a personal relationship with the customer that the big guys can only dream of having, which translates into more sales – not only repeat sales, but word-of-mouth sales. The only big company I can think of with such customer loyalty and excitement is Apple. Who gets excited about Ashley Furniture, Raymour and Flanigan, or other such big retailers? In fact, it’s almost a necessary evil to go furniture shopping (as it is with car buying).

• Nimble. It takes the big guys months – if not a year or more – to add or change a product or product line. For me, it can be days, or maybe a few weeks. Big ships take a wide swath to turn, but little runabouts like me change course quickly, adapting to new ideas or trends as needed.

• Multi-faceted. A large furniture store usually doesn’t have that large of a genre variety – they will have contemporary, country, and maybe some bad mission or period furniture – all home or home office stuff. I not only do that, but can jump into liturgical (furnishings for churches) pieces, custom cabinets – even toys.

• Product Quality. Unquestionably, my greatest advantage, which is value, really. I’m sorry, but big store furniture is generally crap – with the exceptions of Stickley and perhaps Bassett. All the other stuff is poorly made, poorly finished “furniture”. The worst being the finish of this stuff. When you can scrap off the color off a piece with your fingernail, that’s a crappy finish. When an ad circular for the big box stores describe a piece as having a “cherry finish” or the color is “cherry” what they are doing is using a little psychological trick – you hear the word “cherry” and your mind just associates the piece as being made of cherry.

• Made locally. Of all residential wood furniture sold in the United States, only about 31% is U.S.-made; most of the other product is made in Asia. Most furniture manufacturers and companies we think of as quintessentially American are making their furniture overseas (for example, Bassett, Broyhill, Lane, Lazy Boy, Ethan Allan, Thomasville, Pennsylvania House, Drexel, American Drew, Stanley and others). Over the last 30 years, tens of thousands of jobs for highly skilled furniture makers have been moved overseas, as so called “American furniture companies” have moved their manufacturing operations to China, Vietnam and other third world countries. When you buy locally – or even in the US – you help out fellow Americans. Not only myself, but my family, the places I purchase my wood, and the money I spend from my profits.

I have some advantages over retail they can never match; in educating consumers about the furniture of today, I can increase my sales, and give the consumer value for the furniture money.

 
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Posted by on November 22, 2012 in BlogNotes

 

Woodworking Apps – a Review

Smartphones – how handy are these things? Not only can you listen to music, take decent photos, have a GPS, a phone, text and play games, but you can also find them very handy in the shop.

In this installment of ShopNotes, I’ll review several of them, and give you the real-world lowdown on the good, the bad and the ugly. This is by no means a comprehensive review of all the apps out there, but ones that I have used. Read the rest of this entry »

 
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Posted by on September 13, 2012 in BlogNotes

 

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Is it legal to sell pieces you made from purchased plans? You’ll be surprised.

You want to build and sell pieces of furniture or other wood projects, and you want to use plans you bought over the internet, from such venues as Fine Wood Working, Wood Magazine, or Plans Now – but is that legal? Isn’t there a copyright issue? The answer will surprise you.

Read the rest of this entry »

 
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Posted by on September 6, 2012 in BlogNotes

 

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